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Black Lips: Satan's Graffiti Or God's Art? (Vinyl LP)
Vice Records
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$24.99
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Black Lips - Satan's graffiti or God's art? - Atlanta's valiant punks Black Lips have announced that their first album in three years, Satan's graffiti or God's art?, is set for release May 5 via Vice Records. Produced by Sean Lennon at his studio compound in upstate New York throughout 2016, the album is the group's most musically evolved to date, while still staying true to their original blistering take on fuzzy, dirty rock n' roll. On their 8th full length, Satan's graffiti or God's art?, Black Lips were joined by Saul Adamczewski of Fat White Family and Sean Lennon in helping co-produce, and the final product is urgent and thoughtful, reflecting the growth the Black Lips have experienced since bursting onto the scene (once or twice quite literally on fire) but also true to their original blistering, careening take on rock n' roll: fuzzy, dirty, and rife with three and four part harmonies. Overture: Sunday Mourning, Occidental Front, Can't Hold on, The Last Cul de Sac, Interlude: Got Me All Alone, Crystal Night, Squatting in Heaven, Interlude: Bongos Baby, Rebel Intuition, Wayne, Interlude: E'lektric Spider Webz, We Know, In My Mind There's a Dream, Lucid Nightmare, Come Ride with Me, It Won't Be Long, Loser's Lament, Finale: Sunday Mourning
Black Lips - Satan's graffiti or God's art? - Atlanta's valiant punks Black Lips have announced that their first album in three years, Satan's graffiti or God's art?, is set for release May 5 via Vice Records. Produced by Sean Lennon at his studio compound in upstate New York throughout 2016, the album is the group's most musically evolved to date, while still staying true to their original blistering take on fuzzy, dirty rock n' roll. On their 8th full length, Satan's graffiti or God's art?, Black Lips were joined by Saul Adamczewski of Fat White Family and Sean Lennon in helping co-produce, and the final product is urgent and thoughtful, reflecting the growth the Black Lips have experienced since bursting onto the scene (once or twice quite literally on fire) but also true to their original blistering, careening take on rock n' roll: fuzzy, dirty, and rife with three and four part harmonies. Overture: Sunday Mourning, Occidental Front, Can't Hold on, The Last Cul de Sac, Interlude: Got Me All Alone, Crystal Night, Squatting in Heaven, Interlude: Bongos Baby, Rebel Intuition, Wayne, Interlude: E'lektric Spider Webz, We Know, In My Mind There's a Dream, Lucid Nightmare, Come Ride with Me, It Won't Be Long, Loser's Lament, Finale: Sunday Mourning