The four songs on Clear are full of with asphyxiating bass pressure, camouflaged in stringently minimal-yet-rudely physical electronics. The sullen, ætheric swagger of Clear Cut carves up from the front, placing Taylor Burch's gaunt vocal in acres of warehouse space for 10 minutes. Do I Dub sutures the wound with sheer bass pressure alone. In The Clear has a stylus troubling sub-bass molded into a dead-eyed, grinding come-on. Clear Cut reappears in a truncated Radio Edit upping the techno canter and condensing the vox for closer, cocksure effect. Clear Cut, Do I Dub, In the Clear, Clear Cut (Radio Edit)
